For a lot of podcasters, Shure’s SM7B just may be the holy grail of microphones. Its 1st iteration, the SM7, was a beloved radio workhorse that Quincy Jones employed to file Michael Jackson’s Thriller. If you’ve got ever found your preferred podcast hosts in motion, you have probably found the SM7B in their studios, like a monument to being a Major Recording Artist. But the SM7B is obviously anything aimed at professionals: At $399, it really is way too costly for most beginner podcasters. It calls for an XLR audio interface (for at minimum another $100). And it really is so power-hungry, it commonly needs an more pre-amp (tack on yet another $150 or more).
The very first matter you can see about the MV7 is that it appears to be like a lot like the SM7B. It nonetheless has a steel frame and a bundled pop filter, it can be just substantially more compact than its well known sibling. There’s also a metal mounting frame that can be attached to a stand or microphone arm (amazingly, there’s no stand in the box). Peek a bit nearer and you can expect to observe a number of touch controls for gain and headphone checking stages, as properly as a mute option. I am not a enthusiast of touching my mics for the duration of recordings, but at minimum Shure failed to use any noisy buttons. All over the back, there is certainly a micro-USB connection, XLR and a headphone jack to monitor recordings. (The company bundles USB Form-A and USB-C cables.) That rear panel on your own will make it strikingly crystal clear how unique the MV7 is from the SM7B, which has archaic minimal-go and presence increase switches that involve a essential or screwdriver to tweak.
Some parts of this article are sourced from:
engadget.com